A critical performer's edition of Ottaviano Petrucci's Harmonice Musices Odhecaton, Canti B
Edited by: Kate Allsop, Carlos Lobao Gadelha, Helen Herbert, Timothy Lin, Eleanor Tomlinson, Bethany Toulson, Helen Vincent, Mary Walton and Mark Wilson
General Editors: David Hatcher and Martin Perkins
This edition started life as an activity for students studying historical performance at Royal Birmingham Conservatoire when the global pandemic put a hold to our practical workshops on reading 15th and 16th-century notation. We decided to continue the classes with ‘community editing project’ and turn our attention to the theory of Renaissance notation. Some of the pieces we had explored in practice were from Petrucci’s Harmonice Musices Odhecaton ‘Canti B’ publication, and this proved an ideal collection with which to explore the relationship between musical text and performance and to address issues present when making this repertoire accessible to modern performers yet faithful to the practices and conventions of the time.
The interest in this repertoire from performers has shown there was a need for a new edition, one which combines the scholarship of a critical edition with the pragmatism of a performing version. We hope, therefore, this edition serves a dual purpose for those wishing to study, and those wishing to perform these beautiful works.
Full Contents:
1. Lomme arme - Josquin des Prez
2. Virgo celesti - Loyset Compère
3. Jay pris amours - Obrecht
4. Vray dieu qui me confortera - Antoine Bruhier
5. Lourdault lourdault - Compère
6. Se suis trop jeunette - Raulin
7. Ce nest pas jeu - Pierre de la Rue
8. Lautrier que passa - Antoine Busnoys
9. Reueilles vous - Anon.
10. En chambre polie - Anon.
11. Je suis amie du forier - Compère
12. Mon mari ma deffamee - Mabrianus de Orto
13. Cela sans plus - Jacob Obrecht
14. Bon temps - Anon.
15. A qui dir elle sa pensee - Anon.
16. Cela sans plus - Colinet de Lannoy
17. Mon pere ma mariee - Anon.
18. Myn morghen ghaf - Anon.
19. Coment peult hauer ioye - Josquin
20. Comment peult - Anon.
21. Helas helas helas - Ninot le Petit
22. Tous les regres - de la Rue
23. Veci la danse barbarj - Bertrandus Vaqueras
24. Dung aultre amer - de Orto
25. Noe noe noe - Antoine Brumel
26. Una moza falle yo - Anon.
27. E la la la / Fates lui bona chiera - Ninot
28. Fors seulement [original notation] - de la Rue
28. Fors seulement [implied transposition] - de la Rue
29. Et dunt reuenis vous - Compère
30. Jay pris amours - Jean Japart
31. Je cuide / De tous biens - Japart
32. Fortuna dun gran tempo / Franch cor quastu - Antonius de Vigne
33. Amours me trotet sur la pance - Jean Braconnier dit Lourdoys
34. Baises moy - Josquin
35. Vauilment - Obrecht
36. Orsus orsus bovier - Bulkyn
37. Baises moy - Anon.
38. Avant avant - Anon.
39. Ave ancilla trinitatis - Brumel
40. Si sumpsero - Obrecht
41. Mon pere ma dona mari - Anon.
42. De tous biens - Johannes Ghiselin
43. Pour quoy fu fiat ceste emprise - Anon.
44. Adieu fillette de regnon - Heinrich Isaac
45. Chanter ne puis - Compère
46. Je vous emprie - Alexander Agricola
47. A qui dirage mes pensees - Attrib. Compère
48. La regretee - Hayne Van Ghizeghen
49. En amours que cognoist - Brumel
50. Je despite tous - Brumel
51. Le grant desir - Compère
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